samedi 28 février 2015

Preparing the installation

Talking with the critic
photo by Alison Wynn

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License

photo by Minette Mangahas











mardi 24 février 2015

Work in progress





casting artist Vaibhav Raj Shah

 
after casting artist C Krishnaswamy

with artists Shradda Borawake & C Krishnaswamy



photos by Alison Wynn

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License

mardi 17 février 2015

Where's the body ?

Sakal Times, Tuesday February 17, 2015

An urban planner and architect by profession Paris-based Laurent Pinon is all set to find out the story of Pune through what he terms "the human topography" at the Refracting Rooms workshop.

Laurent's art is something that we have never seen before. He calls it Chrysalides (Pupae) that is made using raw silk cloth and starch and human bodies that provide it the desired shape. The Chrysalides became his weapon of self-expression when he was just 17. "I was in high school and that year we had experienced a lot of violence in school. I created my first Chrysalides as my graduation project. I wanted to show my teachers what all that violence meant to me. So I took a piece of cloth and threw it over my body. It looked like I was trapped beneath all that violence and unable to express myself," he informs.


From 1999 to 2009, Laurent was unable to find the artist within himself and looked for a way to convey his thoughts. Once again he sought the Chrysalides to say what he wanted to and created several artworks which he has exhibited in Paris. It's safe to say that this pupa has come out of his cocoon.


And that's what he plans to do in Pune. "I'm going to use the people of Pune to create the mould of their body and make a human topography that describes this city. For me, the city is like thousands of layers of lives that live in it. In geography, you talk about the layers of rocks that explains so many things to us, the same way layers of human topography will explain the city to us," he hopes.

jeudi 5 février 2015

Smaller cities for greater art

By: Kaumudi Gurjar

Workshop by Khoj Intl has most artists excited, though there are a few who question whether it is intrinsic to the creative process

Having nurtured and shared ideas on art and inspiration in most metros, Khoj International Artists' Association is now turning its attention to smaller cities. The association is organising a two-week residential workshop in Pune to be attended by 20 artists, including six from the city. Artists from countries as diverse as France, Poland, Taiwan, Haiti and Uganda will reside in Pune and create experimental site-specific art along with 10 Indian artists, from February 15 to March 2 at the TIFA Working Studios, at Sadhu Vaswani Chowk.

Many local artists feel Pune could do with more exposure and interaction to enhance its art scene, which is still in a somewhat nascent stage."Pune is known for music and theatre, but there is a slight blind spot for visual art and public interaction around it. If such an initiative sets the ball rolling, we should welcome it," remarked sculptor and artist Abir Patwardhan. Contemporary artist Raju Sutar said, "Khoj actually represents the contemporary trend — such efforts will be a breath of fresh air."

However, renowned painter and artist Ravi Paranjape disagreed wholeheartedly, saying, "Contemporary art does not believe in creating change and giving back to society — but in pure expression. This new form is dangerous and may pose problems to art."But it's tough to dampen the enthusiasm most artists feel for Khoj."Pune is a city where the storied past meets the vibrant present. Six local artists took the initiative to have a Khoj workshop here," said Rucha Kulkarni, co-coordinator and participating artist.

Pooja Sood of Khoj International agreed, saying, "Good artists are not limited to capital cities. We are organising these residential events in smaller cities because it provides a catalyst for artists from smaller towns to interact with international talent."

The workshop will be at Hotel Wellesley, an art-deco spot on Sadhu Vaswani Road that has been lying unused for over a decade. "The space itself is very raw and inspiring. Hotel Wellesley has been unoccupied for a long time, and it will be nice to work on a blank canvas," said photographer Shraddha Borawake, who spearheaded the movement, The Good Artists of Pune.

French architect Laurent Pinon, who is also part of the workshop, said, " Pune is a subject and the location of the workshop, but everybody will come with a different geographical background. The time is 15 days, but we'll create surrounded by the remains of a thousand-year-old city. I see the workshop as a heterotopia — we'll open a space and time breach during which everybody will explore multiple ways to think, represent and communicate."